Known for his intimate knowledge of the filmmaking process and the science behind today’s most advanced capture devices, Milton is as comfortable designing stereoscopic post workflows for big Day & Date movies, as he is grading smaller budget but highly personal Indies. He refers to his colour timing approach as ‘compositing with colour’, which draws from his extensive experience as both a finishing artist and stereoscopic professional.
Previous feature titles include The SpongeBob Movie: Sponge Out of Water, Avengers: Age of Ultron and Mad Max:Fury Road, as well as Indie features Hollywood, After The Reality and The Lonely Italian. Along with features, Milton colour timed the short POLIS by director Steven Ilous, winner of the PROTOTYPE filmmaking competition, as well as TV and Web Spots for Shell, Timberland and Formula E. His current feature projects include Jurassic World, Terminator Genisys and San Andreas.
For a full credit list, please visit Milton’s IMDB profile.